To say that high-quality video content material is vital lately is one thing of an understatement – significantly in the case of the Web.

No matter who you’re or what you’re attempting to perform, video is basically the solely approach to go. Do you need to improve your social media presence?

Take into account the truth that 82% of Twitter customers say they actively watch and luxuriate in video content material of their feeds. Moreover, we’ve reached the purpose the place greater than 500 million hours of video are watched collectively on YouTube all day, each day.

However in an period the place one-third of all on-line exercise is spent watching the video, it’s clear that simply ANY video gained’t do. You want a high-quality video to face out in a crowd – which signifies that not solely do you want the proper cameras, however you want the proper lenses to completely seize each second within the beautiful element that you just – and your viewers – deserves.

However on the identical time, it’s additionally vital to grasp that no two cameras – nor their lenses – are created equally. The tools picks that you just make ought to at all times be dictated largely by what it’s that you just’re attempting to do.

In case you had been taking pictures one thing smaller, extra intimate and extra managed like an interview, for instance, you’ll naturally want totally different lenses than you’ll should you had been attempting to seize each second of a stay sporting occasion as precisely as attainable.

Solely by understanding as a lot as you may about your choices, together with understanding which lenses are perfect for which situations, will you have the ability to have the proper software by your aspect for the proper job at precisely the proper time.

4 Thirds vs. Full Body: What’s the Distinction?

Alongside these strains, probably the most vital matters so that you can concern your self with in the case of videography is focal size – which is described as the gap between the middle of a digicam lens and the thing that it’s at the moment specializing in.

The lenses talked about within the following checklist of the very best Panasonic LUMIX lenses for video work on cameras utilizing the Micro 4 Thirds system (additionally generally known as MFT or M4/3), which is a regular developed by Pansonic and Olympus in 2008. As a result of these cameras characteristic A) a mirrorless design, and B) assist interchangeable lenses, each the digicam physique and the lenses themselves are considerably smaller than they in any other case can be.

However the important thing factor to grasp is that the Micro 4 Thirds sensor format has a crop issue of two.Zero when in comparison with a conventional 35mm movie digicam.

Because of this each the sector of view AND the focal size are primarily half of what they’d be on a “full frame” digicam. So a 50mm MFT lens would primarily be equal to a 100mm lens on a 35mm movie digicam. At all times preserve this in thoughts when selecting the correct merchandise and lenses for the precise job that you’ve got in entrance of you.

As acknowledged, the entire lenses on this checklist are designed to work with Panasonic’s Micro 4 Thirds cameras. The fashions in that specific sequence are as follows:

Issues to Take into account

You’ll additionally need to think about a wide range of additional options that you could be want, like climate sealing. Climate sealing helps to guard the inner components and elements of a digicam from potential points like moisture, mud, and humidity. It does this by means of not solely preliminary design concerns but additionally by way of rubber sealing with silicon rings, gaskets, and different attributes.

In case you’re going to be doing quite a lot of taking pictures outside (otherwise you’re touring to a very hot local weather), climate sealing would undoubtedly be one thing to search for by way of defending your tools alone. Be aware that the diploma to which one thing is climate sealed can’t solely fluctuate based mostly on producer but additionally based mostly on fashions inside a selected digicam line from producers.

Further protecting options like shock safety and absorption, sensor mud resistance, specifically designed shielding towards electromagnetic interference and different choices are additionally nicely value contemplating, as all of them go a good distance in the direction of defending what is maybe a very powerful funding of all: your tools.

The Finest Prime Lens for Video

1. Panasonic LUMIX G LEICA 15mm f1.7 ASPH Lens

First up now we have prime lenses or lenses with a set focal size. They’re identified for each their comfort and their versatility – that are two of the qualities that make the lenses on this checklist of these which are excellent for common video shoots powerful to beat.

Panasonic 15mm 1.7

Supply: David Thorpe YouTube

In case you’re on the lookout for a stable, all-around high-performance lens in your Pansonic LUMIX digicam, you’d be hard-pressed to search out one higher than the LUMIX G Leica DG Summilux. Coming in at 15mm broad and that includes an exterior aperture ring and a large, deliver F1.7 aperture, it’s compact and lightweight however nonetheless options the kind of rock-solid construct that you could depend upon.

That is the proper sort of lens for conditions that you could’t management – whether or not you’re taking pictures indoors in intimate areas or in shiny, out of doors areas the place your surroundings is continually altering, that is the proper choice to be sure that your bases are coated.

It handles quick motion extremely nicely and even performs completely acceptable in low lighting situations. It might not do fairly as nicely in that specific state of affairs as different objects on this checklist, however for conditions the place it’s worthwhile to be prepared for the sudden, this lens will dutifully stand by your aspect each step of the best way.

Here’s a video filmed with Panasonic Leica DG Summilux 15mm f/1.7 Lens:

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2. Panasonic LUMIX G 20mm F1.7 II ASPH Lens

Alongside the identical strains, now we have the Panasonic LUMIX G II, that includes a 20mm focal size (which once more is equal to 40mm on a full body, 35mm movie digicam) that’s composed of seven totally different lenses in 5 strategically aligned teams.

Panasonic 20mm 1.7


With a most magnification of roughly 0.13x/0.25x, you’ll rapidly discover that the distinction between this and the 35mm movie digicam you’re nonetheless holding onto isn’t actually a lot of a distinction in any respect.

That is one other a type of nice, all-purpose choices to maintain on the prepared for when you understand it’s worthwhile to shoot video however you aren’t positive precisely what sort of situations you’re going to be coping with.

It produces the kind of sharp, full photographs which are excellent for every part from capturing a sporting occasion to taking pictures B-roll for a bigger manufacturing. It additionally produces glorious low mild photographs, making it ideally suited for one thing like marriage ceremony videography.

Here’s a video filmed with Panasonic Lumix G 20mm f/1.7 II ASPH Lens:

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3. Panasonic LUMIX G Leica 25mm f1.Four Leica Lens

Final however not least now we have the 25mm 1.Four G Leica, that includes extremely shiny 25 mm F1.4 – F16 Leica optics, a 46mm filter measurement and even nano floor coating to guard towards mud, grime and different potential distractions.

Panasonic 25mm 1.4

Supply: DigitalRev TV

That is the kind of lens that focuses extremely nicely in dim mild, making it excellent for nighttime or indoor videography particularly. It’s a very useful lens to maintain round should you wish to shoot at evening (or at sundown) however don’t have any exterior lighting tools to hold with you.

Once more – it’s not going to have the ability to replicate skilled lighting, and there are different objects on this checklist that may carry out higher for totally managed shoots, however for these conditions the place the solar is unexpectedly setting and also you want to have the ability to preserve taking pictures, you’ll have the option to take action with the 25mm 1.Four G Leica.

Here’s a video filmed with Panasonic Lumix G Leica 25mm f/1.Four Lens:

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The Finest Huge-Angle Vlogging Lens

4. Panasonic LUMIX G Vario 7-14MM f4.Zero Lens

In case you needed to make a listing of all of the issues which are notable about wide-angle lenses, “presence” would undoubtedly be proper on the prime. Which is why vloggers love utilizing this lens.

Panasonic 7-14mm f4

Supply: David Thorpe YouTube

Whether or not you’re attempting to seize a really giant scene with a kind of “fly on the wall” perspective or need to create a way of intimacy from a small scene in a really confined area, a wide-angle lens is an effective way to do all of this and extra – making it the proper possibility for Vlogging particularly.

All of those are additionally among the many qualities that make the Panasonic LUMIX G Vario Lens so notable. With a 7-14mm focal size, 0.25m/9.84″ minimal focus and an F4.Zero fixed most aperture and F22 minimal aperture, that is the proper choice to preserve with you no matter the place life occurs to take you.

The key promoting level of this specific lens is its large 114-degree angle of view. In case you’re the kind of Vlogger that likes to get outside and actually take pleasure in new cities or places, this lens may also help your viewers really feel like they’re proper within the thick of it with you.

The lens itself can also be designed to ensure most efficiency even below extremely sturdy lighting situations – one other one of many many explanation why that is the proper possibility for journey Vloggers particularly.

Here’s a video filmed with LUMIX G Vario 7-14MM f4.Zero Lens:

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5. Panasonic LUMIX G X Vario II 12-35 mm f2.Eight Lens

One other spectacular entry on this checklist is the Pansonic LUMIX G X Vario II 12-35 F2.Eight lens, constructed for professionals, by professionals. Along with providing a 3x optical zoom with an F2.Zero fixed aperture, the lens itself additionally holds up the place it counts: sturdiness.

Panasonic 12-35mm f2.8

Supply: 9to5Toys

It’s not solely splash proof and mud proof however freezeproof as nicely – making it ideally suited for Vloggers who are inclined to spend as little time in a studio as attainable.

However the actual profit that this specific lens brings to the desk has much less to do if you’re attempting to seize the motion and extra to do with if you’re proper in the course of it your self.

The built-in optical picture stabilization makes positive that each one movies (and images) will look nice, providing sharp and blur-free contours throughout your complete picture.

It will probably even compensate for very giant digicam shakes and different vibrations which will happen (like should you take your digicam snowboarding with you, for instance).

Here’s a video filmed with Panasonic LUMIX G X Vario II 12-35 mm f2.Eight Lens:

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The Finest Video Interviews Lens

6. Olympus M.ZUIKO Digital ED 45mm f1.Eight Lens

Everytime you’re sitting right down to shoot a video interview, there are a couple of key options that you just’ll need to search for in a lens.

Any possibility that you just think about will need to have high quality picture stabilization and zoom capabilities, as a lot of your digicam and framing choices will probably be dictated by the form the interview takes.

Olympus 45mm f1.8

Supply: DigitalRev TV

Is your topic getting emotional? You’re going to need to have the ability to get as shut as attainable with out shedding picture high quality. Are you interviewing a number of topics? You’ll want a wider body to assist that composition.

However even in interviews, situations can change quickly. You will have to make sudden vital directorial adjustments throughout the span of a few seconds… which is a part of what makes the Olympus M.ZUIKO Digital ED 45mm F1.Eight Lens so distinctive for that goal.

This specific lens is designed to excel in low lighting situations, which primarily describes any interview you’ll ever conduct that isn’t going down outside.

It’s able to providing each an impressive degree of element and a shallow depth of discipline, permitting you to maintain the main focus in your topic the place it belongs – no matter how they might occur to maneuver within the spur of the second.

It’s additionally movie-still suitable (MSC) which affords quick, almost silent focusing and aperture efficiency – excellent for making these changes with out getting in the best way of the intimacy you’re attempting to seize within the first place.

Right here is the video filmed with Olympus M.ZUIKO Digital ED 45mm f1.Eight Lens:

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The Finest Video Lens for a Blurred Background

7. Panasonic LUMIX G Lens, 42.5mm F1.7 Lens

A blurred background is definitely a really particular directorial selection that could be a lot tougher to tug off than you may assume it’s. YouTube “how to” and different technical movies usually use this method, for instance, in order that they’ll direct the main focus of the viewer instantly onto the topic the place it belongs to remove distractions.

Panasonic 42.5mm f1.7

Supply: David Thorpe YouTube

However with out the proper lens, a “beautifully blurred” background turns into a “dark, muddy” background earlier than you understand it – thus placing you farther away out of your objective, not nearer to it.

However that’s the kind of challenge that you just don’t have to fret about with the Panasonic LUMIX G Lens, an possibility that gives each an amazing focal vary and distinctive low mild efficiency in a single handy bundle. Along with an F1.7 giant diameter and mid-telephoto 85mm focal size, it affords an in depth focusing distance of simply 31cm and an influence optical picture stabilizer/240 fps (frames per second) drive AF on prime of all of it.

That final level is maybe the one which issues most of all, as each the digicam and the lens sync up at 240 frames to take full benefit of your LUMIX digicam’s high-speed AF system.

This enables each the drive system and the stepping motor to carry out easily and silently throughout all video recording, permitting you to seize the entire beautiful element you want with out the necessity to fear about audio alternative in a while.

In case you’re taking pictures in an surroundings the place you want, clear, detailed and expressive photographs and wish that stunning bokeh background on the identical time, that is completely the lens for you.

Here’s a video filmed with Panasonic LUMIX G Lens, 42.5mm F1.7 lens:

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8. Sigma 18-35mm F1.Eight Artwork Lens

Equally spectacular, nevertheless, is the Sigma 18-35mm F1.Eight Artwork DC HSM Lens. This lens additionally affords an amazing degree of flexibility, making it excellent for every part from panorama photographs to informal movies to close-ups and extra – all with that very same blurry background that your viewers can’t get sufficient of.

Sigma 18-35mm F1.8 Lens for Sony
The interior focusing and zooming provides you room for extra usability and performance than a conventional prime lens and it additionally performs very, very nicely in low mild environments.

This might be the proper sort of lens to have in your bag for conditions the place you wanted to show one thing in an in depth, confined area – like should you had been displaying your viewers methods to tear down a selected piece of electronics tools or construct a brand new pc. It’s each bit as sharp as a conventional prime lens however broad sufficient to present you adequate room to improvise, all whereas sustaining that bokeh “blurry background” impact that’s so vital.

It’s important to notice, nevertheless, that you just’re undoubtedly going to need to use this with the Metabones Velocity Booster Adapter as a result of this specific lens is for canon mount cameras. The Velocity Booster will increase the utmost aperture, will increase the MTF and makes the lens wider – all guaranteeing the management you want for any state of affairs.

Here’s a video filmed with Sigma 18-35 f1.Eight lens:

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The Finest Cine Lens for Video

9. Rokinon 12mm T2.2 Cine Lens

Have you ever ever questioned what makes a tv present seem like a tv present, whereas a film appears like… nicely, a characteristic movie? Despite the fact that they’re each (generally) shot utilizing digital cameras, movies are inclined to look “bigger,” “fuller” and “more grand” due, partly, to the precise kinds of lenses they use.

Rokinon 12mm T2.2 Cine Lens

Supply: Chuck Fadely

Movie is richer and hotter, whereas video (particularly within the early days) tended to be brighter and a little bit smoother – a bit like “the soap opera effect” that’s generally discovered on quite a lot of client grade HDTVs.

If you wish to unlock that “epic” look to the footage you’re taking pictures, you want the proper of lens – and there are actually few higher choices for that than the Rokinon 12mm T2.2 Cine Lens for Micro 4 Thirds Mounts.

With the aforementioned T2.2 most aperture, it does significantly nicely in low lighting situations and may let you management even the shallowest depth of discipline for exact topic focus always. It’s additionally nice for these eye-pleasing, out of focus backgrounds that movie as a format does so nicely.

Merely put, it’s a lens designed at first for taking pictures HD video – which implies it additionally has numerous extra options that assist separate it from conventional “photo lenses,” like the main focus rings that let you use a spotlight pull equipment like a observe focus system.

Whether or not you’re taking pictures a story in need of a characteristic movie, are getting into into the world of commercials or simply need to create visually distinct movies that separate you from your personal competitors, that is the lens that may assist make it occur.

Here’s a video filmed with Rokinon 12mm T2.2 Cine Lens:

Be aware that the Rokinon 16mm T2.2 Cine Lens can also be out there, which can also be suitable with all Micro 4 Thirds Interchangeable lens cameras and options aperture vary of T2.2-T22.

It is a nice various to the lens listed above for conditions the place you want the widest angle movies attainable, as this has been particularly constructed to behave as a large angle lens.

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10. Rokinon Cine CV85M-MFT 85mm T1.5

Additionally of word is the Rokinon Cine CV85M-MFT 85mm T1.5, which options the identical distinctive total high quality because the Rokinon 85mm F1.Four lens.

Rokinon Cine 85mm t:1.5 De-Clicked Aperture
The aperture vary right here is between T1.5 and T22, which actually provides you quite a lot of flexibility by way of the last word form that your venture takes. As a Cine lens, this unit can also be particularly constructed to satisfy the wants of an expert cinema manufacturing.

Between the heavy and rugged development and the power to effortlessly document steady movement with out skipping a beat, that is actually a worthy buy for videographers and cinematographers all over the place.

As was true with the lens listed above, this specific mannequin is observe focus suitable – which implies that you could focus and use the aperture ring in any method that you just’d like, all with out interrupting your video taking pictures at any level.

It additionally incorporates a specifically designed de-clicked aperture to assist cut back noise and jerking motions – significantly useful in conditions like monitoring photographs or in any state of affairs the place you’re pulling your digicam off of your tripod.

One factor to concentrate on, nevertheless, is that this lens is just not zoomable. So relying on the kind of venture that you just’re attempting to movie, you’re doubtless solely going to need to use this for very particular kinds of photographs or in sure conditions the place such performance is just not needed.

Here’s a video filmed with Rokinon 85mm T1.5 Cine Lens:

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The Finest Telephoto Lens for Taking pictures Video

11. Panasonic Lumix LUMIX G X VARIO 35-100mm f2.8

Sure conditions that you could be end up in will name for the usage of a telephoto lens, which is one notable for its very lengthy focal size that additionally brings to the desk a really slim discipline of view.

Panasonic 35-100mm f2.8
This primarily has two key advantages in videography, each of that are current nearly instantly. First, a telephoto lens is an effective way to isolate your topic – no matter how giant your body could also be or how distant your topic is, you may instantly command somebody’s eye and get them to look exactly the place you need to.

Secondly, telephoto lenses are additionally an effective way to make issues really feel like they’re nearer collectively than they are surely. In case you had been to shoot one topic pretty near your digicam and different a big distance away, the area between them would make them seem like a lot nearer on video than they’re in actuality.

All of that is to say that if you do encounter a state of affairs that requires the usage of a telephoto lens, the Panasonic Lumix LUMIX G X VARIO 35-100mm is totally top-of-the-line that cash can purchase.

This telephoto zoom lens options F2.Eight brightness throughout the ENTIRE zoom vary, so that you don’t have to fret about how sudden zooms alter the appear and feel of a shot. It’s additionally notable for that includes autofocus in video recording in addition to by way of nonetheless photographs, excellent for capturing fast-paced motion with out worrying about somebody out of the blue transferring too shut or too distant from the digicam.

That is the kind of lens that may be excellent for capturing a stay sporting occasion, for instance – however with a barely totally different perspective than others. You might simply make a spectator within the stands and a participant really feel a lot nearer collectively than they are surely, juxtaposing the joy of the folks watching with the power of these truly on the sector.

Here’s a video filmed with Panasonic 35-100mm f2.Eight Lens:

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12. Panasonic Lumix G Vario 14-140mm f/3.5-5.6 Lens

One other viable possibility is the Panasonic Lumix G Vario 14-140mm f/3.5-5.6 Lens, which incorporates a 10x optical zoom, an influence optical picture stabilizer and an overwhelmingly quick and exact auto focus functionality.

Panasonic 14-140 f3.5
As is true with the opposite telephoto lenses on this checklist, this may be a very useful software to make use of by way of one thing like wildlife videography.

With the sort of telephoto lens in your digicam, you may take stunningly detailed recordings of animals that seem like they’re only some toes away – even when they’re a lot farther in actual life.

Because of this you get the unimaginable, once-in-a-lifetime video footage that you just and your viewers can’t get sufficient of and also you don’t have to fret about startling an animal on the identical time.

Here’s a video filmed with Panasonic Lumix 14-140mm f3.5 lens:

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13. Panasonic LUMIX G II VARIO 100-300mm f/4-5.6

Final however not least now we have the Panasonic 100-300mm f/4-5.6 II – which is definitely notable as a result of it was designed to interchange a earlier mannequin that the corporate put out, the H-FS100300.

Panasonic 100-300mm f4
This specific unit affords extremely quick and fluid focus monitoring through a 240 fps linear motor, affords an extremely shut focusing distance of 4.92 toes and even comes full with Panasonic’s personal energy optical picture stabilization system in your LUMIX digicam.

By way of what this has to supply that its predecessor didn’t, the Panasonic 100-300mm f/4-5.6 II has been upgraded to supply each splash proof and mud proof safety – making it ideally suited for any out of doors videography classes that you could have in your calendar.

In case you lived close to a seashore, for instance, this may completely be an effective way to seize footage of surfers on the excessive seas.

They’d seem like they had been only some toes away although you’re protected on the shore the entire time. A wonderful telephoto lens like this one would even be an effective way to take beautiful time lapse videography of the moon, for instance.

Here’s a video filmed with Panasonic Lumix 100-300mm f4 lens:

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The Finest Fish Eye Lens for Video

14. Panasonic LUMIX G 8mm f3.5 Fish Eye Lens

Final however not least we arrive on the fisheye lens – probably the most generally misunderstood kinds of video lenses most of the time.

Panasonic 8mm f3.5 fish eye
When used as supposed, a fisheye lens is definitely an effective way to each assure a visual field as much as 180 levels and keep a scale that’s lowered to warp the sides. Basically, that is the proper approach to create a singular sort of distortion that’s excellent for panoramic images particularly.

By way of video, the fisheye look truly rose to prominence through the 1990s particularly when it may very well be seen in a variety of music movies from widespread artists.

Almost about modern-day makes use of which are rather less dated, it could be an effective way to shoot video on a airplane to essentially emphasize the curvature of the Earth and even simply to indicate the large scope of a serious metropolis from excessive up on a constructing.

In case you are interested by bringing that distinctive, fisheye look to your personal movies, look no farther than the Panasonic LUMIX G Fisheye Lens, 8mm, F3.5. At 8mm (which, keep in mind, is equal to 16mm on a full body digicam) it brings the identical 180 diagonal angle of view to each images and films.

It makes use of a classy sequence of ten lenses in 9 teams that, when paired with the bodily properties of the lens itself, lets you assure secure efficiency for distances as shut as a foot and as distant as 100 meters or extra.

The distinctive design of the aperture helps to supply a silky clean impact in areas of your body which are out of focus, which is ideal for preserving your supposed look even when utilizing bigger aperture settings.

That is one other a type of lenses that’s excellent to make use of if you actually need to convey how BIG one thing is – be it architectural videography and even to emphasise the variety of folks at an occasion like a marriage.

Here’s a video filmed with Lumix 8mm f3.5 lens:

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15. Samyang 7.5mm T3.Eight Cine Fisheye Lens

Equally viable is the Samyang Cine SYCV75MFT 7.5mm, T3.Eight Cine Fish Eye Lens – which sports activities the identical 180 diploma angle of view because the mannequin above with crystal clear focuses down to simply 3.5 inches relying in your preferences.

Samyan 7.5mm T3.5


Because the title suggests, it affords a 35mm focal size equivalency of 15mm. It affords each a geared and uncoupled aperture and focus ring, providing you with full management over each final factor of your shoot with out worrying about letting technical issues get in the best way of the motion unfolding in entrance of you.

Because of each the truth that this lens was constructed with HD video in thoughts and options just like the aspherical glass factor and the low dispersion glass factor, it’s capable of ship persistently prime quality and a uniform distinction all throughout the body – even within the corners and even at a full, open aperture.

A part of the enchantment of a lens like this in the end comes right down to that extremely broad angle and startlingly shut focus. In case you’re very within the geometry issue of videography, utilizing this lens would unlock a world of fascinating shapes and compositions that may doubtless go unnoticed with one other sort of lens – additional aiding in your means to seize one thing actually distinctive each time you head out on a shoot.

This lens is ideal for instances the place you actually need to experiment and deform photographs in enjoyable and thrilling new methods, or for situations the place such an impact would truly add to what you’re attempting to perform. In case you had been on the bottom in a serious metropolis and pointed a fisheye lens straight up, for instance, it could be an effective way to essentially promote the “vertigo” feeling that you just get surrounded by so many tall buildings.

Here’s a video filmed with Samyang 7.5mm T3.Eight lens:

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Ultimately, it must be clear by now that there’s actually no “one size fits all” lens choice that works equally nicely for each state of affairs. If you’re conducting a video interview, you actually need the picture stabilization and zoom capabilities that solely a lens designed for that goal will afford. In case you’re heading to a brand new main metropolis and wish your viewers to essentially really feel like they’re taking the journey with you, you want the sense of presence and “close-to-the-subject” perspective that solely a large angle lens will supply.

That is why it’s at all times vital to contemplate each venture rigorously earlier than you begin taking pictures. Take into consideration not solely the kinds of photographs you’re attempting to compose but additionally the sensation you’re attempting to convey to your viewers. Solely then will you have the ability to just remember to have the proper gear on the prepared that will help you accomplish your whole objectives.

Having stated that, it’s clear that the very best Panasonic LUMIX lenses for video manufacturing are breaking new grounds by way of flexibility, ingenuity and total design. In relation to distinctive high quality photographs with the extent of management that even the harshest environments can typically command, you’d be hard-pressed to discover a sequence of purchases extra worthy of your hard-earned greenback.